The article analyses the presence of erotica and pornography within two genres of extreme metal music: black metal (BM) and porno-gore grind (PGG). By contextualizing it through a prism of exploitation and sexism, the authors discuss the heterosexual male domination of these genres. The authors employ a porn studies approach, dealing with pornography as an important social phenomenon. Subcultural studies, particularly when it comes to punk and metal, also provide a theoretical background to the article. The main source of the presented research are webzines: in the case of BM, their visual components, and in the case of PGG, visual and other multimedia elements.
