This article analyses graffiti and street-art production by extreme right-wing groups in Slovenia. Classification of the main topics and identification of groups of authors is followed by a critical analysis. This production can be understood along the line of modern–postmodern fascism. Modern fascism is direct, exclusive, aggressive, while the postmodern one is even more dangerous, because it looks inclusive, conciliatory, and its language seems integrative. However, their final goal is identical: hierarchical, authoritarian, ethnically and culturally homogenous and corporative society. The basic finding of the study is that hate-speech on the walls and the policies of dominant institutions are basically the same, so we can speak about the continuation of the same politics by other means. Everything that is written in the graffiti has already been said from the pulpits of dominant politics. Finally, examples of »decontamination« of public spaces are listed, i.e. removal of extremist graffiti and street art or their creative subversion.
