The essay provides an insightful summary of international contacts, links and exchanges in the field of contemporary performing practices with a focus on the dance production in the Balkan region. The author concludes that the interest in establishing connections springs primarily from the efforts of individuals and nongovernmental organisations, while central national institutions are not offering systemic, media or financial support to such exchanges. In the last few years, foreign universities have started to express interest for the cultural practices in the territory of former Yugoslavia.
