The article identifies the differences between that which produces normality and is destructive to the otherness, and that which deconstructs the former and produces the latter in the case of Autonomous Cultural Center Metelkova City. It also delves into the question how to act upon and make (our) world meaningful under the conditions of the present neoliberal market-oriented time and services, and in the era that is essentially characterized by the creative industries and hastened withdrawal of the state from the public sphere. Is it possible in this context to recognize the cultural economy of ACC Metelkova City as merely a duplication of the socially dominant production mode that in effect prevents any autonomous model to evolve? The premise of the article is that we have to clearly differentiate between independent culture and autonomous culture, and monitor both at ACC Metelkova City. The fundamental question is how to incorporate holistic relations of productions within a limited territory into a respective legal order that would not determine the conditions of different production processes itself.
