The text deals with art geographies and politics of (non)belonging created through contemporary systems of classifying and curating art within geopolitically shaped archives. It explores the relation between old and new meanings of non-aligned geographies that have resisted historical and social power relations established through the uneven network of geopolitical identities. Focusing on several artistic and curatorial examples (Mili- ca Tomić, Lina Džuverović, Lana Čmajčanin, Ana Hoffner ex-Prvulovic*) that go beyond already entrenched art cartographies, the text explores the (post-)Yugoslav space, by introducing the historical idea of non-alignment when it comes to the process of identification and classification of art today – in a feminist way.
